异端

Didier __Konings’ s_-,immer_/ing media:-eval horror\#_ ` Witt`[e Wieven ex/](plores the\( confluence of relig$ion and pat+^,riarchy ??in an e=:(:xcessiv-$ely % puritanical Dutch vi]lla$$g(_e. Blam+:)ed by her community :*@for being childless,(@ Fri ed]
a (@\#immerses = \herself in prayer and ]ritu=a %l-. Wh.en[\$ )she returns !unscathed fro?m the forbidden for`-est su
rr] %oun.ding the ,!vill_-ag
@e, ha/`*v^ing evade?:d a lecherous b+ utche`??r
), she: is^? cond@$;emned- /^as an/( agent of the d _!evil. Frieda, howeve*-r $$, f\inds new faith in the dar$k powers t^^`^hat= inhabi
:t t,[he woods.　　Shot %,in\@/ a r!educ,ed col +)our pale`tte] at $*/the edge of] vi ]sibility, Konings’ gripping[ film constructs a convincing pre
-mo+%^dern socie-ty whos@e practice+]\* s it eluci^@!dates wit@h) patience a./nd att^en:tion. =_Al@+,though se

t in ]:the% Midd* +le Ages *, Witte ^;Wi?-even display%_s a]$n unmistakably contemporary spirit,!/ cr[afting a feminist par +able a`%bout women@! ?.#$:discovering new,- $wa:-.ys ??@%of`=] u+-nd#.erstanding-; the+ir lives and t *)he] world.